{"id":18,"date":"2022-08-25T20:18:38","date_gmt":"2022-08-25T20:18:38","guid":{"rendered":"https:\/\/laurakunnas.fi\/?page_id=18"},"modified":"2026-06-01T08:42:08","modified_gmt":"2026-06-01T08:42:08","slug":"solo-work","status":"publish","type":"page","link":"https:\/\/laurakunnas.fi\/index.php\/solo-work\/","title":{"rendered":"Selected solo work"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Kriti Shree Rajarajeshwari\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/tLozD_uqUCo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">This kriti explores the mother goddess Tripurasundari in all her aspects. Performed at the launch of Women&#8217;s Indian Chamber of Commerce and Industry&#8217;s India Finland &#8211; Finland India Bilateral Business Council, 16.12.2020, Espoo. Choreography by Chitra Viswesvaran.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Excerpt of Charukeshi Varnam\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/V5ya1y7gFnM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">The varnam is the central and most elaborate piece in a Bharatanatyam margam. In charukeshi varnam, the heroine laments the absence of her beloved Krishna who seems to play a cosmic game of hide and seek with her. April 2021, Tanssikeidas, Helsinki. Choreography by Chitra Visweswaran.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Samskriti Europe Margazhi Utsavam 2nd Edition Day 2\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/Q7BltKMsLPk?start=196&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">This padam tells the story of a woman who gets to know that her husband&#8217;s mistress is gossiping about her: &#8220;It isn&#8217;t her fault! Let it go, friends!&#8221; 2.1.2023, Day 2 of Samskriti Europe&#8217;s Margazhi Utsavam 22-23, a pan-European Festival of Indian Classical Art. Choreography by Chitra Viswesvaran.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Javali &quot;Nen etlu sahintune&quot;\" width=\"525\" height=\"295\" src=\"https:\/\/www.youtube.com\/embed\/Lxibdris3w8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">This is the story of a lady who sees the man she loves enter the house of another woman. She runs to her friend for support. Performed at Lotus Indian Dance Centre&#8217;s Christmas show on 15.12.2019, in Steiner School&#8217;s Auditorium, Helsinki. Choreography by Rama Vaidyanathan.<br><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"saved_in_kubio":false,"om_disable_all_campaigns":false,"footnotes":""},"aioseo_notices":[],"kubio_ai_page_context":{"short_desc":"","purpose":"general"},"_links":{"self":[{"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/pages\/18"}],"collection":[{"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/comments?post=18"}],"version-history":[{"count":11,"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":162,"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/pages\/18\/revisions\/162"}],"wp:attachment":[{"href":"https:\/\/laurakunnas.fi\/index.php\/wp-json\/wp\/v2\/media?parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}